Archive for March, 2009

A Tribute to Beat Sheets

Sunday, March 29th, 2009


Last year sometime when I was having an email conversation with Liz Fielding, she mentioned a a DVD by Christopher Vogler and Michael Hauge that she was listening to. It was about the hero’s two journeys — and since I have found Vogler’s work useful, I thought I’d check it out.

In looking for it, I stumbled across Blake Snyder‘s Save the Cat.

How can you not want to read a book called Save the Cat?

Well, my dogs might not — though Gunnar was very fond of Kate Walker‘s best pal, Sid. But other than a few dogs, most of us want to save the cats we run across, especially ones that will help with writing. So I bought the book.

It’s a terrific book. Primarily focused on screenwriting, it can nevertheless help any author spot the empty places in a story. And that’s even after the fact.

Up front, before I even have a draft, Blake’s beat sheet has helped me come to grips with Demetrios and Anny’s story.

They were off drifting in the middle of the Mediterranean (in my head — they were nowhere close to the water in the draft) and I couldn’t see any point at which to bring them back. And until I’d figured out what they were coming back for, I couldn’t seem to get them there.

Enter the beat sheet.

Writing down what I knew of the story so far, I had made it all the way to the “break into Act Two.” I knew bits and pieces of what was coming after. But the beat sheet made me stop and think sensibly about it.

What would up the ante? Who was already there that could cause more trouble? What conflicts — inner and external — would put the screws even tighter to Demetrios and Anny? Amazingly, it was all there already in the stuff that had gone before. I only needed to mine it.

So I did.

And I found my theme!

Who knew? I’ve never had a theme in the 62 books I’ve written. Well, I suppose I have, but I’ve never been able to articulate it in less than 50,000 words.

With Demetrios and Anny I can. I did.

So, thanks, Blake. Your Save the Cat is going right up there on the shelf next to Twyla Tharp’s The Creative Habit. I expect to be pulling it down often. It’s always nice to find a book that inspires again. And again.

Savas’ Defiant Mistress — the back story

Friday, March 27th, 2009

Every month on the Harlequin Presents site we have a feature called “Behind the Book” in which one or more authors of the current Presents on the shelves talk about the story behind the book — one aspect or another of what brought this book out of the ether and onto the shelves of a bookstore, hopefully, near you.

I just finished my contribution by discussing a little about how Savas’ Defiant Mistress, aka Seb and Neely’s book, came to be. And I thought since I wrote it, I wouldn’t just stick it up there, I’d post it here, too, so you have an idea of some of the bits and pieces that came together to make up Seb and Neely’s story.

When Sebastian Savas and Neely Robson first turned up in my head a couple of years ago, they were working in San Francisco, not Seattle. Neely was living on a houseboat in Sausalito when Sebastian snapped it out from under her because he needed a bolt hole — a place to live for a month while his own place was taken over by aliens (well, no actually, they were his sisters, but as far he was concerned they might as well have been from another planet).

But if he thought his sisters were trouble, he soon found he’d jumped from the frying pan into the fire when he began sharing a houseboat with Neely.

In typical Presents fashion, editorial called it Savas’ Defiant Mistress. Er, well, don’t tell, but she’s not really his mistress and she’s more opinionated and spiky than defiant. I suggested Savas’ Annoying Roommate would be more accurate, but obviously that was a no-go.

I am philosophical about these things. I tell myself that sometimes indeed marketing does know best.

And it didn’t matter because I had great fun writing the book because it had lots of things in it that I like:

  • a drop-dead gorgeous hero who is honorable, responsible, competent, successful, sexy and strong (not to mention stubborn and maybe just a tiny bit judgmental, as well as more than a little bit wounded) — but still long-sufferingly kind to his family even when they drive him round the bend;
  • a heroine who can both nurture and take charge as needed and who doesn’t play doormat for anyone;
  • a big noisy family who can’t quite keep their noses out of anyone’s business;
  • a chance to learn about a profession that interests me in a city I’m fascinated by (those would be architecture and Seattle);
  • a wedding;
  • a houseboat;
  • a bloodhound, five kittens, a guinea pig and some rabbits.

I think it was the bloodhound, the kittens, the guinea pig and the rabbits that had my editor blinking rapidly. Or maybe it was the houseboat. It might have been San Francisco, but I doubt it. “Are you sure?” she said.

I thought about it. I wrote Antonides’ Forbidden Wife while I was thinking.

I was pretty sure. The setting was the only thing I changed when, a few months later, I came back to the book.

By that time Sebastian and Neely were clear and sharp in my head. So were the multitude of sisters. So were Sebastian’s father and Neely’s. (Yes, I know it sounds like a cast of thousands, but it really isn’t).

The setting was wonderfully refreshing (never did a Seattle book before), and the houseboat became real when my son’s in-laws took me to visit friends who actually live on a Lake Union houseboat and who have kindly ‘lent’ it to me for the book.

Trust me, I offered the bloodhound and the other assorted livestock the chance to decamp. But they declined. They chose to stay because they spoke to Neely’s character. And over the course of the book, they gave Sebastian a chance to learn more about his.

Such as it is, it’s Seb and Neely’s story, and I’m sticking to it.

But the fact that the livestock and the houseboat and the nosey, noisy family exist to provide a context for Sebastian and Neely as they battle their way to their very own happily ever after proves again what I’ve known for the past twenty-odd years — that one of the great joys of writing for Harlequin Presents is that in the end, they let me be me and my books my books.

This may be another way of saying they are always willing to give me enough rope to hang myself. But it doesn’t matter. I’m eternally grateful for their faith and their trust, and I loved being able to tell Seb and Neely’s story the way I understand it.

If you want a taste of Savas’s Defiant Mistress, please check out the excerpt

on my website.

You can find the book at online booksellers and in stores across North America now. It’s a May release as a Mills & Boon Modern.

And if you have any more behind the book questions that I haven’t already answered, just ask.

RITA nominees

Wednesday, March 25th, 2009

Today was the day RWA announced the finalists for the RITA awards which will be presented at the national Romance Writers of America conference in Washington, DC this July. There is a full list posted at the RWA site, but I can’t get the link to work so you can get there easily from here.

So I can’t show them all to you, but I’m happy, thrilled, delighted, over-the-moon, gobsmacked and a variety of other adjectives to tell you that PJ and Ally’s book, Antonides’ Forbidden Wife, is one of the finalists!

Ally has been walking around with a smile on her face ever since we got the phone call this morning. PJ looks somewhere between amused and smug — like he’s caught the wave of the day, and nobody — but nobody — has had a better one.

I’ve told him that that remains to be seen, that there are other finalists. He wishes them well. And then he just grins at me. He’s happy. He’s vindicated.

I’m grinning, too, of course, because PJ was not expected to be a hero.

He was a surfer, for heaven’s sake. When I wrote about him in his brother Elias’s book, The Antonides Marriage Deal, PJ was a thorn in his brother’s side.

He was the theoretically ‘irresponsible’ brother, Peter, who had taken off for Hawaii at age 18 and never really bothered to come back. Not until halfway through Elias’s book at least — and only then, as far as Elias was concerned, to annoy him.

Of course it didn’t turn out that way. Unbeknownst to his family, Peter Antonides had reinvented himself in Hawaii. Or maybe he discovered who he really was beyond just one of those Antonides kids. He’d grown up, found a life, a purpose, even a new variation on his name. He found himself.

And incidentally, he found Ally.

He didn’t tell me that then. He was a fun supporting character. I liked him as soon as he appeared. But I didn’t know a lot about him because Elias’s book, as PJ continually reminded me, was Elias’s book. And Tallie’s. It was their story, and Elias didn’t want him horning in on it.

PJ didn’t mind. He was a patient man. Easy going. Laid back. A maƱana sort of guy.

A Presents hero?

Perhaps not your usual suspect. Still, he was my idea of a Presents hero. He was strong and determined. Patient. Honorable. Competent. Patient. Pretty darned gorgeous. And did I mention, patient?

It’s true. PJ bided his time. He waited for his book the way he waited for Ally. Though he did tell me he was glad the book at least hadn’t taken ten years.

Still, he waited through Theo and Martha’s book, through Flynn and Sara’s book, through Spence and Sadie’s book. He was even prepared to take a back seat to Sebastian and Neely’s book.

But then, all of a sudden, Sebastian had issues. I had a deadline. And, guess what? I needed a book. I needed a hero. I needed PJ.

Just like Elias and Tallie had. Just like Ally did.

And there he was, my hero. PJ Antonides stepped in and took over. He eased Sebastian out for the time being and began telling me his story, introducing me to Ally, doing for me what he’d done for everyone else — saving the day.

Is it any wonder I fell in love with him?

So I am incredibly happy that he and Ally have made the RITA finals. And I really wish I could take them to Washington for the conference and the awards ceremony.

But I’m going to be celebrating it from afar this year. I’m going to have grandkids here in summer camp that week and, I hope, a brand-new one to go see in Seattle right after.

PJ says he understands. He says he doesn’t mind. He says he knows we’ll be there in spirit, anyway, and he’s just basking in the joy of his nomination. It’s true, of course.

But lest you think that besides being patient, competent, strong, determined and drop-dead gorgeous, he is also terribly terribly noble, let me tell you the whole truth.

PJ is thrilled that Antonides’ Forbidden Wife is a RITA finalist and we’re not going to Washington, because he still gets all this glory — and he doesn’t have to wear a tie.