Posts Tagged ‘writers’

Robert B. Parker

Tuesday, January 19th, 2010


I was saddened to learn of the death today of one of America’s most beloved writers, Robert B. Parker. He is said to have “died at his desk” at age 77.

I will miss his books, his talent, his wit, his characters. I have a collection of Robert B. Parker books. Most of them are from his series about Spenser, the hard-boiled Boston detective, who made Parker a household word. I can’t remember them individually now — one from another. I can only remember how much I enjoyed reading them, how delighted I was to read of Spenser trading jabs, physical and otherwise, with the redoubtable Hawk, how I both relished and got impatient with his relationship with Susan Silverman.

“Ditch her,” I told him on countless occasions. “You’re obsessed. She’s a loser.”

But he didn’t think so. And maybe he was right.

Susan was a complex woman dealing with a man who preferred to see things in black-and-white. And they were putting together a relationship — or trying to — at a time when social gender roles were certainly changing. Robert Parker captured that ambiguity, that sense of his characters being on social quicksand, while at the same time involving them in a cracking good mystery.

He went on to write books about Jesse Stone which I wasn’t as enthralled with but which captured the imaginations of readers who weren’t as devoted to Spenser. He never just sat back and ‘cranked out’ stories because they would make him money. Certainly Spenser would have made him money forever.

But Parker was a writer who wanted to challenge himself, who was bored with sameness, who was always seeking new possibilities, reinventing himself and his literary landscape.

Now that I’m finished with George’s revisions (they were tweaks, really. It was wonderful.) and they’re gone, I think I may go have a nice day or two of re-reading some of my favorite Spenser books and taking time to appreciate all the gifts to readers that Robert B Parker has left us.

Role Models

Sunday, November 2nd, 2008


Way back when I was a fledgling writer, I used to look at other writers’ careers and think about whose I would like mine to emulate.

Hands down, it was always Tony Hillerman.

The talented, hard-working, steady, insightful gentleman who was, in my estimation, not only a wonderful, memorable novelist and essayist, but even more a genuinely fine human being, died a week ago at the age of 83.

His mysteries featuring Lt Joe Leaphorn and Sgt Jim Chee of the Navajo Tribal Police brought the reservation and its people to the attention of readers the world over.

His evocation of the American southwest — its stark landscape, its disparate cultures and peoples, its religions and superstitions, its beauty and its violence — has been celebrated for over a quarter of a century.

I read all his books as soon as they came out. They brought back childhood memories of frequent treks across the Navajo reservation en route from California to Colorado. They humanized the landscape for me. They peopled it with men and women who might have grown up in a different culture from mine, but who in very fundamental ways weren’t alien at all.

That was one of the talents of Tony Hillerman. Through his work, he brought people together. He created characters you came to love as you came to know them. And I will always be glad that he gave Jim Chee a woman to love him and a potential happy ending in his last book.

If he had done no more than write wonderful books that stayed on the shelves year after year after year (something all writers aspire to), his would have been an admirable career.

But he did far more than just write. He was a generous man — with his time and with his knowledge. He worked tirelessly for his fellow mystery writers, and even those of us in completely different genres were the beneficiaries of his wisdom and concern.

Twenty years ago I wrote a book called Gifts of the Spirit. The hero, who had been in several earlier books, was a half-Navajo, half-Anglo journalist called Chase Whitelaw. The story I wanted to tell about Chase and his family was going to take him to the reservation as an adult, to discover a part of his heritage he’d never really known.

I know about mixed blood heritage. I didn’t know very much about Navajo culture. I needed a resource, a person who understood what a writer needed, and who understood the Navajo culture.

I needed Tony.

I didn’t know him personally. But I contacted him, asked if he’d be willing to talk to me. Next thing I knew we were discussing my book at length on the phone. He listened to my story, made suggestions about what Chase’s family would think, pointed me in the direction of the most useful books he thought I’d need.

We talked an hour. Maybe more.

When we hung up, he said, “Call me whenever you have more questions.”

I said I didn’t want to bother him. He said, “No bother. Writers help other writers.”

They do. He did. We talked again later in the book.

And right before I sent Chase off to the publisher, I called Tony one last time and thanked him. He was glad to know it had worked out, happy that his books and suggestions had helped.

They had. It would not have been as good a book without his help. I would not be the writer I am without his guidance — and his example.

I doubt very much that I’ll have the writing career Tony Hillerman had. But if I can be half the human being he was, I’ll be very well pleased.

Thank you, Tony, for wonderful books, for your wisdom and your time and your generosity. God speed.

Ideas Are Easy . . .

Thursday, September 18th, 2008


In his book, Content: Selected Essays on Technology, Creativity, Copyright, and the Future of the Future, Cory Doctorow writes a lot about all of the above.

I skimmed a fair bit of it because I’m trying to get as much done on my own book as I can before I take off next week.

But a couple of sentences in his essay on fan fiction caught my eye and made me cut and paste them here.

He said, “Ideas are easy. Execution is hard.”

And I thought, oh, yes. And then, speaking from mid-book, I said it again even louder, OH, YES!

He goes on to explain, “That’s why writers don’t really get excited when they’re approached by people with great ideas for novels. We’ve all got more ideas than we can use — what we lack is the cohesive whole.”

Amen. (Picture me leading the nuns in Lilies of the Field in a rousing chorus of them.)

I’ve written before about the age old question, “Where do you get your ideas?” from non-writers who think that it’s the ideas that are hard to come by.

As Cory Doctorow says, they’re not.

What’s hard to come by is that cohesive whole.

It’s getting from here to The End without falling into the abyss or getting eaten by dragons or sidetracked by brown cows with blue eyes or secondary characters who are way more interesting and fun and energetic (waving to Anne Gracie!) that is the real trick.

I’m wading around in chapter four right now. I can’t see the beginning from here — too far back. I can’t begin to see the end. There are a whole lot of bends in the road before The End is likely to come in sight.

I’m knee-deep in the mud of the first draft, and trying to envision the cohesive whole is like trying to walk through it for the next six miles holding jello in my bare hands and expecting to have anything left of the jello at the end.

Not easy.

Thanks, Cory, for reminding me of what it is I’m trying to do — and why it gets frustrating. I’m just going on, trusting the process — and my characters — and myself. And hoping we get there with story at the end.

Check out Content. Guaranteed food for thought.